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They're creepy and they're kooky Mysterious and spooky They're altogether ooky The Addams family The house is a museum When people come to see 'em They really are a scream The Addams family MAN: Neat.
Sweet.
Petite.
So get a witch 's shawl on A broomstick you can crawl on We're gonna pay a call on The Addams family -Is this where the Addams family lives? -Yeah.
-You going in there? -I'm the truant officer.
They've got two kids who have never set foot in school.
Good Iuck, Charlie.
Hello.
Hello.
You must be one of the Addams children.
-I'm Wednesday.
-I'm Mr.
Hilliard.

Read more: https://www.springfieldspringfield.co.uk/view_episode_scripts.php?tv-show=the-addams-family-1964&episode=s01e01
They're creepy and they're kooky Mysterious and spooky They're altogether ooky The Addams family The house is a museum When people come to see 'em They really are a scream The Addams family MAN: Neat.
Sweet.
Petite.
So get a witch 's shawl on A broomstick you can crawl on We're gonna pay a call on The Addams family -Is this where the Addams family lives? -Yeah.
-You going in there? -I'm the truant officer.
They've got two kids who have never set foot in school.
Good Iuck, Charlie.
Hello.
Hello.
You must be one of the Addams children.
-I'm Wednesday.
-I'm Mr.
Hilliard.

Read more: https://www.springfieldspringfield.co.uk/view_episode_scripts.php?tv-show=the-addams-family-1964&episode=s01e01

#LATTIG-Derik THE ADDAMS FAMILY - 11/6/90


     FADE IN:


A1   EXT. ADDAMS MANSION FRONT STEPS - CHRISTMAS EVE            A1

     A GROUP OF CAROLERS, their eager faces upturned, SINGS an
     endless and cloying roundelay of "Little Drummer Boy."
     They sing with self-righteous good cheer. As they
     pompously begin their umpteenth verse,
     THE CAMERA SLOWLY PANS UP THE ADDAMS MANSION -- past
     the black wreath on the front door, past broken windows,
     weather-beaten shingles, a creaking shutter. 



     THE CAMERA CONTINUES TO PAN TO THE ROOF
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where the Addams Family members, GOMEZ, MORTICIA, GRANNY,
     PUGSLEY, WEDNESDAY, and LURCH, their faithful butler,
     gleefully POUR a CAULDRON OF BUBBLING, STEAMING PITCH
     over the edge.

     AS THE CAULDRON TIPS, THE CAMERA PUSHES INSIDE, THE


     BLACKNESS OF THE PITCH FILLS THE SCREEN. TITLES BEGIN.,,,


                                               DISSOLVE TO: 





1    INT. DIM HALLWAY - SEVEN O'CLOCK A.M.                      1


     C.U. AN OVER-SIZED "CUCKOO" CLOCK --

     The clock is a perfect REPLICA OF THE ADDAMS FAMILY
     HOUSE, down to the creaking shutter. It chimes the hour.
     In ONE WINDOW, a LITTLE MECHANICAL GOMEZ bends a
     MECHANICAL MORTICIA back until she's almost off her feet
     and plants a kiss between her clockwork decolletage.
     One, two, three mechanical kisses, counting toward
     seven o'clock.



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full-bodied personality, CLIMBS into view over the back
     of the clock.
     Thing leaps to the floor and SCAMPERS down the hall.

     LOW TRACKING SHOT

     follows Thing along the hallway.

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IN ANOTHER WINDOW, A MECHANICAL PUGSLEY hangs a
     MECHANICAL WEDNESDAY from a noose on a gallows, up and
     down.
     Meanwhile, little BURSTS OF FOG float off the rooftop
     where a little MECHANICAL GRANNY cranks her fog machine.
     The front door of the house pops open, and a MECHANICAL
     LURCH appears and begins sweeping.
     Just then, THING, the disembodied hand with the
     full-bodied personality, CLIMBS into view over the back
     of the clock.
     Thing leaps to the floor and SCAMPERS down the hall.

     LOW TRACKING SHOT

     follows Thing along the hallway.

                                               (CONTINUED)

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THE ADDAMS FAMILY - 11/28/90                          2.


1    CONTINUED:                                                 1

     He runs past a couple of doors, past a pair of LEGS in
     pajamas, feet in bedroom slippers. He skids to a halt
     and BACK TRACKS to the legs. He pulls on the cuff of
     the pajama bottoms. They belong to GOMEZ, who stands
     in the doorway to

A2   INT. FESTER'S ROOM                                         A2

     Gomez wears a fez and a smoking jacket over his pajamas.
     Even at this early hour, he puffs on his trademark cigar.
     Gomez is all enthusiasm or all despair. At the moment,
     he radiates unfathomable woe.

                              GOMEZ

                Think of it, Thing. He's been gone
                for twenty-five years. For twenty-
                five years we've attempted to
                contact Fester in the great
                beyond...
     The room is a dusty, cobweb-filled, long-unoccupied shrine
     to Gomez's lost brother, Fester. Gomez drifts in from the
     doorway.


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 GOMEZ

                ... And for twenty-five years,
                nothing. Not a whisper, not a
                clue. I'm beginning to think my
                my brother truly is lost.
     Gomez sighs.   Thing TUGS at his cuff, pulling him towards
     the

B2   INT. HALLWAY - SAME TIME                                   B2

     Galloping ahead of Gomez, Thing leaps onto an
     old-fashioned door latch and the door swings open INTO

2    INT. GOMEZ AND MORTICIA'S BEDROOM - SAME TIME              2

     Gomez approaches the bed.   Asleep on scarlet satin sheets
     is...

     MORTICIA

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The room has remained untouched since Fester's
     disappearance as a teenager. The thick coating of dust
     and cobwebs adorns the mementoes of a rapscallion's youth
     - a football pennant from Alcatraz, headless sports
     trophies, a high school photo with all the other students
     keeping as much distance from Fester as possible.
     As he lovingly and morosely surveys the room:

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The room has remained untouched since Fester's
     disappearance as a teenager. The thick coating of dust
     and cobwebs adorns the mementoes of a rapscallion's youth
     - a football pennant from Alcatraz, headless sports
     trophies, a high school photo with all the other students
     keeping as much distance from Fester as possible.
     As he lovingly and morosely surveys the room:
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